エレクトロニック・ビートと濃密に折り重なる声、都市の
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FAR OUT EAST PRESENTS
FILASTINE & NOVA SPECIAL LIVE IN SAPPORO
2.12.2018.月祝
At 第2三谷ビル6F 特設会場
札幌市中央区南1条西6丁目8−1<東急ハンズ並び>
OPEN/START 16:00
ENTRANCE FEE 2,500YEN
*16:00-17:00にご入場の方は2,000YE
Special Live performance
FILASTINE & NOVA
Live & Dj
Aota & Naka Koichiro
REBEL MUSICAL
mAsa niwayama
Ogashaka
GAK
Mitayo
Ue & HDZ
Daiki Kojeemah
Art
scape
Kan togashi
Mitsugu Aikawa
Pola Pola
Ryoichi Kawajiri
Market
アダノンキ
Happy Hokkaido Kitchen
スパイスの穴ムジナ
ARCO
Rempei Mizuno
silencia music store
Atico
Book Lab
NIL
/注意事項
*会場となるビルは午後23時以降入場できません。
ご来場の方は午後23時迄にご入場ください。
*入場の際はエレベーターより上がってご入場ください。
*飲食物などの持込みはご遠慮ください。
*会場となるビル内、他テナントの迷惑になるような行為
発覚した場合、退場して頂く場合があります。
*会場での事故やトラブル等の一切は主催者は責任を負い
予めご了承ください。
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FILASTINE & NOVA BIOGRAPHY
Filastine&Novaは、さまざまな境界線を越
(Spin)」、「ワールド・ミュージックというよりも
FilastineことGrey Filastineは、バルセロナを拠点に活動する作曲
Infernal Noise Brigade(The INB)を結成。シアトルでの反WTO行動で生演奏のサ
DJ/
また、FilastineとNovaはユニークかつ大胆
Filastine & Novaは一流のパフォーミング・アーティストであり、
Arts(エジプト)、Decibel(アメリカ)、L
この貴重なライブを見逃してはならない。
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Filastine & Nova are a multimedia duo working to undermine borders. Their music collides electronic beat production with dense layers of voice, concréte sounds, analogue synths and strings. Spin magazine calls it “bass music for crumbling urban futures”, and Pitchfork says “they sound less like ‘world’ music and more like music from another world”. Another world is exactly what they aim to create, using sound, video, design, and dance to express a radically different vision of the possible.
Filastine is the handle of Barcelona-based composer and video artist Grey Filastine. A former taxi driver from the United States, Filastine studied percussion with the coke-fueled carnival batucadas of Brazil and mystical brotherhoods in Morocco. In 1999 he founded the Infernal Noise Brigade marching band, putting these rhythms to use in a live soundtrack for the Seattle WTO revolt and the globalization protests that followed. DJ/Rupture discovered and released Filastine’s premiere album, Burn It! (2006), launching a decade of critically-acclaimed albums and world tours. One of those tours brought him to Jakarta where he met vocalist Nova Ruth, rhyming in Indonesia’s seminal rap group Twin Sista. Nova’s deep musical roots add much to Filastine’s sound; she was raised singing pentecostal spirituals with her priest grandfather, reciting Quran, and playing Javanese gamelan percussion. Beyond music, Nova’s continues her “day job” building networks among Southeast Asia’s video activists and hackers.
Together they create unique and fearless interventions: an official mixtape for The Act of Killing documentary, a sound swarm at the Paris Climate Summit, a performance in the Calais Jungle migrant camp. Their latest effort, Abandon, is a video series profiling dances of emancipation from work, filmed in locations from coal mines in Borneo to office cubicles in America. The songs of Abandon and a grip of other new tracks will come out this year on the duo’s first full album together, Drapetomania, colliding psychedelic trap, tropical post-folk and a punk ethos into a compelling audio thesis.
Filastine & Nova are foremost performing artists, their live show is where sound, image, and ideas are embodied. They’ve toured the five continents, appearing at festivals such as Sonar (ES), Downtown Cairo Arts (EG), Decibel (US), Les Vieilles Charrues (FR), Foreign Affairs (DE), Mona Foma (AU). For the new Drapetomania performance the duo are working with a guest dancer and cinematic multi-screen visuals to conjure an emergency exit from the anthropocene. Expect to find them anywhere, turning friction into beauty.
Powerfully political and distinctly global -NPR Music
The soundtrack to a rising heat humidity index -Spin Magazine
The prototype of globalized urban sound -Prefix Mag
Visceral, disorienting exotica -The Stranger
Awesome and delicate…hybrids so fluent they defy classification -Pitchfork
Deftly collaged cuts melding throbbing bass synths and ricocheting 808s with concréte sounds and live instruments -The Wire
Choppy, smokey music that draws from the entire world without getting crushed under the weight of its influences -The Fader